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This division is based on events of external history of England: the middle of XI century - the Norman gain of the England which has completed development of feudalism; in XV century - war of the Scarlet and White rose, disintegration of the feudal state, transition to absolute monarchy, development of bourgeoisie» [1,23]. But all these moments having vital importance for history of the country, cannot be solving in definition of stages of development of language.
« Canterbury Tales » represent one
of famous synthesis medieval culture, in this quality even with
« the Divine comedy » Dante. At Chauser also are available, though
and in a smaller measure, elements of medieval allegory, alien to a
short story as ganry [20, 65] . In synthesis « Canterbury Tales »
short stories take leading place, but synthesis much more widely and
much more important for Chauser. Besides synthesis of genres at Chauser
is not completed, there is no full legends, a fable, fairy tales,
elements of a knightly narration, the sermon, etc. Even novel "stories",
especially in introductory parts, contain verbose rhetorical reasonings
on various subjects with reduction of examples the Scriptus and antique
history and the literature. Autocharacteristics of story-tellers and
their disputes far are beyond a short story as genre or even the collection
of short stories, as special genre formation .
Conclusion
Generalizing the aforesaid, we can draw following conclusions:
Carrying out research of the text, we have applied different kinds of decoding to the text: at phonetic, lexical and syntactic levels. The text has been spread out to making signs, elements, however we had been established mutual relations of making elements which define unity of the text. Images of the Knight and the Seller of indulgences are presented complete owing to the established communications between elements of a various level (phonetic, lexical, syntactic, a level of images). Chauser, creating images of heroes, builds the certain structure of mutual relations of elements of the given levels and the structure of these mutual relations is «generator» of sense, representing the reader this or that image in the completeness and beauty.
In story of Seller of indulgences a
lot of stylistic means which purpose is strengthening emfatic narrations
is used, the narration is directed on causing the certain aesthetic
and emotional impression in the reader. Carried out researches at phonetic,
lexical, syntactic levels and at a level of images represent the story
as stylistic picturesque and skilfully built. The Author, establishing
communications, parallels, oppositions between elements of various levels,
operates the mechanism of meaning, expanding word meanings, word-combinations,
adding the stylistic for word stylistic and emotional painting. As we
could be convinced, the author operates a discourse of the text, having
chosen for this purpose the certain models (forming parallelism, rate
of the use of words, a pressure between a prologue and the story) for
monitoring the mechanism of meaning.
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