Лексическая транформация в переводе

Автор работы: Пользователь скрыл имя, 19 Марта 2012 в 22:42, курсовая работа

Описание

In process of translation grammatical and lexical phenomena are taken in as inseparably connected. Only consisting of a sentence functions of a word are discovered and their particular meaning is determined. A word keeps its semantic identity standing in different contexts. The context determines a proper meaning of a used word in every concrete case but all possible meanings of words are present constantly in a translator’s mind. In process of translation a translator has to confront with close to meaning English and Russian words to decide if he can use one or another word in translation.

Работа состоит из  1 файл

курсовая работа 1.docx

— 40.32 Кб (Скачать документ)

# Men were creatures of habit; that gave women such a hold on them. (Ch.16, p.165). – Мужчины – рабы привычек, это помогает женщинам их удержать. (С.127).

# Plain living and high thinking, Miss Phillips. (Ch.10, p.86). – Скромный образ жизни, высокий образ мыслей. (С.70).

 

3.2.4. Descriptive Translation. If an English PU has neither equivalent nor analogue in the Russian language and literal translation could lead to obscure literalism a translator has to refuse to convey figurativeness and use descriptive translation, i.e. to explain the meaning of a PU by free state words (a skeleton in the cupboard (closet) – семейная тайна; неприятность, скрываемая от посторонних).

# Julia could almost have wished that it had failed like the others in order to take him down a peg or two. (Ch.9, p.78). (To take sb. down a peg or two - осадить к-л, сбить спесь).

Джулия чуть было не пожелала, чтобы эта пьеса тоже провалилась, как и две предыдущие, - так  ей хотелось хоть немного сбить с  него спесь.

# For once his cunning found its match. (Ch.9, p.78). (To find one’s match – встретить достойного соперника). - Наконец-то Майкл встретил достойного противника. (С.64).

 

3.2.5. Translation of Specific National Phraseological Units. Translating this kind of figurative units a translator should be guided by three basic rules:

1. To use literal translation only in the case if the English realities, which are a part of the PU, are well known to TR. For example: to carry coals to Newcastle – возить уголь в Ньюкасл, because everybody knows that Newcastle is a centre of England coal industry; but to dine with Duke Humphrey – остаться без обеда, но не обедать с герцогом Хемфри because TR doesn’t know who Duke Humphrey was.

2. To try to convey English PUs with vivid national coloring by Russian ones without national coloring (he will not set the Thames on fire – он пороха не выдумает; to fight like Kilkenny cats – бороться не на жизнь, а на смерть; Queen Anne is dead! – Открыл Америку!).

3. To use never Russian PUs which have specific national realities as they are unlikely to be applicable to English life. For example, to English PU to carry coals to Newcastle suits Russian one ездить в Тулу со своим самоваром, but it would be better here to use literal translation; or to the phrase what will Mrs. Drundy say? suits что будет говорить княгиня Марья Алексеевна? but что люди скажут is more appropriately.

 

IV. Lexical Transformations and Methods of Creation of Contextual Substitutes.

4.1. Kinds of Lexical Transformations. 

Work of a translator on a word and a word-combination doesn’t add up to finding of equivalent or variant correspondence only. It involves also the work on lexical reforms or transformations. There are three kinds of lexical transformations:

1) additions;

2) omissions;

3) substitutes.

4.1.1. Additions. Semantic additions are inadmissible in translation. A translator can do semantic additions, i.e. explanations, only out of TT, in his/her notes that are taken outside of a text by footnotes. However, a translator has sometimes to add some words into the text so as not to break the norms of the Russian language.

# Over the chimney-piece was an old copy of Lawrence’s portrait of Kemble as Hamlet. (Ch.1, p.14). – Над камином висела старая копия портрета Кембла в роли Гамлета кисти Лоренса. (С.18). (Лоренс Томас (1769-1830) – английский живописец-портретист – a footnote is at the foot of the page).

# They opened with a failure and this was succeeded by another. (Ch.9, p.77). 

Пьеса, которой они открыли  тот сезон, потерпела фиаско, то же произошло и со следующей. (С.63).

# She bustled Julia upstairs. (Ch.10, p.84). –  Эви выпроводила Джулию из  комнаты и погнала ее наверх. (С.69).     

 

4.1.2. Omissions. Sometimes, a translator can do some omissions if it’s necessary in order to avoid breaking of linguistic or stylistic norms of the Russia language. However, every omission must be justified. It’s not allowed to abuse this rule and omit everything that is difficult to translate.

It is typical of the English language using of paired synonyms. One of equivalent synonyms is omitted in translation as well as semantically surplus words. (The treaty was pronounced null and void. – Договор признан недействительным.).

# …if he had been an actor who loved her so much and had loved her so long… (Ch.11, p.97). – Будь он, скажем, актером и люби ее так давно и сильно,… (С.78).

# …and then went into the bathroom to wash her face and eyes. (Ch.11, p.96). - …и пошла в ванную комнату умыться. (С.78).

# She leant back in the chair and turned her head aside. (Ch.11, p.95). – Она откинулась в кресле и отвернулась. (С.77). 

 

4.1.3. Substitutes. Substitutes can be lexical and contextual. Lexical substitute is replacement of single concrete words or word-combinations of SL with that of TL which are not their lexicographic correspondence, i.e. they have other lexical meaning than the words of ST. Characteristics of the context can force a translator refuse to use both variant and equivalent correspondences in translation. In that case he/she looks for the variant of translation that suits for the concrete case. That kind of translation is named contextual substitute.

# …he held himself with an arched back to keep his belly from sagging. (Ch.9, p.81). - …и держался неестественно прямо, чтобы не отвисал живот. (С.67).

# “Oh, well, it’s no good crying over spilt milk.”  (Ch.10, p.83). – “Потерянного не воротишь.”(C.69).

Nature of a contextual substitute depends on characteristics of individual context and a translator has every time to look for special ways of translation. This task requires creative solution, therefore, it’s not possible to have fundamental. Nevertheless, there are same methods which are used for creating of contextual substitutes:

1) method of concretization;

2) method of generalization;

3) method of antonymic translation;

4) method of compensation;

5) method of semantic development;

6) method of complete interpretation. 

 

4.2. Methods of Creating of Contextual Substitutes.

4.2.1. Method of Concretization. Concretization represents substitution of a word of ST with more large meaning on the word of TL with narrower one. There are a lot of words in the English language with general wide meaning which should be concretized in translation. For example:

come – прибывать, приезжать,  приходить, подходить, прилетать  и т.д.

leave – уезжать, покидать, уходить, оставлять, улетать, вылетать  и т.д.

provide – заготовлять, сберегать,  снабжать, доставлять, обеспечивать, давать  средства, принимать меры, готовиться, предусматривать, обуславливать  и т.д.

# …two of her front teeth were missing but, notwithstanding Julia’s offer, repeated for years, to provide her with new ones she would not have them replaced. (Ch.10, p.84).

…у нее не хватало спереди  двух зубов, но, несмотря на неоднократное  предложение Джулии дать ей деньги на новые зубы, Эви не желала их вставлять. (С.69).

By the example of the word thing that is met quite often in the novel it is seen how this word is concretized in different contexts.

# “Extravagant little thing, aren’t you?...”  (Ch.6, p.56). – “Мотовочка, вот ты кто.” (C.49).

# “We know a thing or two about financing plays now.” (Ch.8, p.69). – “Мы с тобой уже хорошо знаем, при каких условиях финансируются пьесы.” (C.58).

# …and she thought of him as a nice old thing. (Ch.11, p.93). - …и она думала о нем, как о добром старом дядюшке. (С.75).

# If he tried that sort of thing she’d play the outrage heroine on him, … (Ch.11, p. 93). – Если он попробует с ней такие штучки, она разыграет оскорбленную добродетель…(С.76). 

# Then Julia did a disgraceful thing. (Ch.11, p.94). – И тут Джулия совершила позорный поступок. (С.77).

# When tempers were frayed his good humour, his real kindliness, smoothed thing over. (Ch.9, p.79). – Когда у них начинали сдавать нервы, его добродушие, его искренняя доброжелательность сглаживали все острые углы. (С.66).

# But he was not a man who let a thing drop when he had set his mind to it. (Ch.8, p.69). – Но Майкл был не из тех, кто легко отступается от того, что задумал. (С.58). 

 

4.2.2. Method of Generalization. Generalization is substitution of a word with more narrow meaning on the word with larger one. This method is opposite to the method of concretization.

# …but he wanted to be his own master and now in the last year of his articles he had broken away and taken this tiny flat. (Ch.11, p.102). - …но он захотел быть сам себе хозяином и сейчас, в последний год учения, отделился от семьи и снял эту крошечную квартирку. (С.82).

The word article as a noun has the meanings статья, параграф, пункт, соглашение, договор,  вещь, предмет, артикль. The meaning договор suits more because there is also a verb article – отдавать по контракту в учение. Combined these meanings the translator extended the meaning of the word article and translated it as учение though this word has its own translation in English: studies, learning, and apprenticeship. 

 

4.2.3. Method of antonymic translation. The essence of this method is replacement of affirmative construction with negative one and vice versa that is accompanied by corresponding lexical substitute of SL unit with its antonym in TL.

# “Oh, my love, don’t you know there isn’t anything in the world I wouldn’t do for you?...” (Ch.8, p.72). – “Ах, моя любовь, разве вы не знаете, что я сделала бы для вас все на свете!” (С.60).

# Julia wondered why servants stayed with them. (Ch.8, p.76). – Джулия не понимала, почему прислуга их не бросает. (С.62).

# “Oh, I know people always lie about their debts,”  she said with a laugh. (Ch.14, p.129). – “О, я знаю, люди никогда не признаются, сколько они задолжали,” – сказала она со смехом. (С.101).

Metaphrase (or literal translation) of these sentences would contradict to stylistic norms of the Russian language and do them clumsy.

# He was a trifle excited – but that is not unusual with him. – Он был несколько  взволнован, но он почти всегда  такой.

Here we have litotes – an affirmative utterance in a negative form. Litotes is widespread in the English language owing to a good deal of negative prefixes. It can be translated literally not always as in the Russian language the negative не and the negative prefix не- coincide in sounding. The words with the prefix не- go rarely together with the negative particle не because of such combination is discordant.      

 

4.2.4. Method of Compensation. This method is applied in that case when some linguistic phenomenon can’t be conveyed in TL. Compensating for loss which arises in translation because of some linguistic unit of ST can’t be translated a translator conveys the same information by the other means. Compensation is often used where it’s necessary to convey merely linguistic characteristics of ST (dialecticisms, individual features of speech, incorrect linguistic forms, pun, etc.) that have not always correspondences in TL. In translation of contaminative speech a translator can substitute for one linguistic means by others (grammatical – lexical, phonetic – grammatical and so on, in compliance with the Russian language norms).

# “For the little I eat I’ve got all the teeth I want. It’d only fidget me to ’ave a lot of elephant’s tusks in me mouth.”(Ch.10, p.84) – the words of Julia’s maid who was a cockney.

«Сколько я ем, для того и моих зубов много. Только мешать будет, коли напихаешь себе полон  рот слоновьих клыков.» (С.69).

Method of compensation illustrates clearly one of the basic positions of theory of translation – not single elements should be translated adequately but all text as a whole. In other words, there are untranslatable particulars but there are not untranslatable texts. 

 

4.2.5. Method semantic development. Using in translation of a word or a word-combination, whose meaning is logical development of the meaning of a translating unit, is named semantic development. It means deviation from direct lexical correspondence of given word or word-combination. Thus, fundamentally semantic development doesn’t differ from more simple methods of lexical transformation, concretization and generalization. Distinction is only in nature and degree of complexity of the method.

It’s necessary to have in view that semantic development always applies to not a single word but to a word-combination or a semantic group. Most often the meanings of such words and word-combinations in ST and TT are connected by cause-effect relations. At that substitution of cause by its effect (or vice versa) doesn’t break exactness of translation and, quite the contrary, is the best (at times the only) way of adequate conveying of ST content.

# Mrs. De Vries was a widow. She was a short stout woman with a fine Jewish nose and fine Jewish eyes, a great deal of energy, a manner at once effusive and timid, and a somewhat virile air. She had a passion for the stage. (Ch.8, p.68).

Долли де Фриз была вдова. Эта низенькая, тучная, несколько мужеподобная женщина, с красивым орлиным носом, красивыми темными глазами, неуемной энергией, экспансивная и вместе с тем неуверенная в себе, обожала театр. (С.57).

# On the other hand if he was shattered and tongue-tied, she’d be all tremulous herself,… (Ch.11, p.93). – С другой стороны, если он будет скован, не сможет выдавить из себя путного слова от смущения и расстройства чувств, она и сама будет робка и трепетна… (С.76). 

 

4.2.6. Method of complete interpretation. This method is used when there is not possible to proceed from lexical correspondences or contextual meanings of single words of SL but there is a need to understand semantic meaning of the whole and “re-express” it into TL by other words. This is one of the most difficult methods of transformational translation.

This method is wide used in translation of PUs which reflect specificity of the English live spoken language (help yourself, please – угощайтесь (а не помогайте себе); good riddance! – скатертью дорога! тем лучше! (а не просто счастливое избавление), etc.).

# He had tact and a pleasant manner, and he knew how to pull strings adroitly; it was inevitable that he should get on the staff of some general. (Ch.7, p.62).

Майкл был тактичен, умел себя вести и искусно пускал в  ход свои связи, он просто неминуемо  должен был попасть в свиту  какого-нибудь генерала. (С.53).

# Though they said he drove them like slaves, and they never had a moment to themselves, flash and blood couldn’t stand it, it gave them a sort of horrible satisfaction to comply with his outrageous demands. (Ch.2, p.19).

Они говорили, что он дерет  с них три шкуры, у них минутки  нет свободной, такой жизни даже скотина не выдержит, и при этом им доставляло какое-то особое удовольствие выполнять его непомерные требования. (С.21).

But the same phrase flash and blood couldn’t stand it (Ch.11, p.95) was translated кто бы мог устоять? (С.77)

V. Conclusion.

Language is a basic means of expression of any fiction. Nevertheless, the main task and difficulty of literary translation is not reproduction of linguistic, especially structurally-linguistic elements of a foreign speech but, taking into account inequality of linguistic system, to recreate artistically totality of ST images.

For a translator of fiction language is especially important just in literary respect, regarding its stylistic, figurative and expressive means which are provided by its particular literary function. A translator should not oppose language to literature but use both in the interests of literary translation. 

 

List of used literature:

1. W.Somerset Maugham Theater. – М.: Издательство «Менеджер», 2001. – 304с.

2. Моэм У.С. Театр. –  М.: «Эскимо-пресс», 2001. – 228с. Перевод  Г.Островской.

3. Читалина Н.А. Учитесь  переводить. – М.: «Международные  отношения», 1975. – 80с.

4. Вопросы художественного  перевода. Сборник статей. – М.: «Советский  писатель»,1955. – 310с.

5. Вопросы теории художественного  перевода. Сборник статей. – М.: «Художественная  литература», 1971. – 254с.


Информация о работе Лексическая транформация в переводе